The AT-X 28-70mm f/2.6-2.8 AF PRO zoom received a five-star ("Super") rating from Germany's highly respected foto magazine and this AT-X 28-80mm f/2.8 AF PRO lens is a superior lens. Flare is very well controlled with internal measures. Clarity, resolution, sharpness, and definition of fine detail range from excellent to superlative. Das Tokina AT-X 16-28/2.8 Pro FX ist ein Vollformatobjektiven (FX) für professionelle Digital-SLR-Kameras. Der Zoombereich von 16 mm bis 28 mm ermöglicht dem professionellen Fotografen, aus kurzem Abstand mit einem superweiten Blickwinkel die gesamte Scene mit dramatischer Wirkung einzufangen. Besonderheiten. Leiser Gleichstrommotor mit GMR Tokina has the AT-X 17-35mm f4.0 FX from 2011 (500 EUR / 400 USD) and the AT-X Pro 16-28mm 2.8 FX from 2010 (600 EUR / 580 USD). Sony has two offerings covering 16-35mm focal range for full frame e-mount bodies: the FE 16-35mm f4.0 ZA OSS (1200 EUR) and the FE 16-35mm f2.8 GM (2400 EUR). TOKINA opera 16-28mm F/2.8 FF für Nikon F 14 Angebote ab CHF 679.00 inkl. Versandkosten CHF 679.00 zzgl. Versandkosten Preisalarm hinzufügen Produkt bewerten Produkt bewerten zum Vergleich hinzufügen zur Wunschliste hinzufügen The Tokina AF 16-28mm f/2.8 AT-X PRO FX Lens for Nikon is designed specifically for Nikon pro level DSLRs with a full frame (FX) sensor (such as the Nikon D700 and D3x), this super wide-angle zoom has 15 elements in 13 groups, using aspherical and SD super-low dispersion glass elements to reduce chromatic aberration and give maximum resolution. L'objectif est conçu pour les appareils photo plein format au format 35 mm et peut également être utilisé avec les appareils photo APS-C. La distance de mise au point la plus proche est de 0,28 mètre. สวัสดีครับ กำลังหาช่วง wide มาใช้กับ d610/d700 ครับ แต่เลือกไม่ถูกเพราะเห็นราคาสูสีกันมากเลยครับ ระหว่าง tokina 16-28 mm. f2.8 ปกร หรือ nikon 18-35 g ปกศ ไม่ทรา The Tokina was sharp (when focused manually) but looked a bit flat and hazy in comparison, even at f/8. The only plus is that the Tokina had a technically better image at 16mm (no distortion and sharp corners), compared to the 16-35. If you are worried about that you can look at the 14-24 or 17-35 though. Joseph Joined Mar 15, 2009 Messages 7,521 Vay Tiền Nhanh Ggads. Código 1639Marca Opinião dos Consumidores0Calcule o valor e prazo do freteDescriçãoEspecificaçõesDescriçõesDescrição PrincipalDistância focal 16-28 mm Abertura máxima F/ Abertura mínima F/22 Tipo EF Ângulo de visão 107-76 Distância focal mínima 27,94 cm Elementos 15 Grupos 13 Lâminas 9 Dimensões aprox. 89,9 mm x 133,4 mm Diâmetro x Comprimento Peso aprox. 950 g Add this product to your shortlist for comparison Gear list 166 29 56 I own it I want it I had it Manufacturer description This new Tokina lens is the first in a new generation of full frame FX lenses designed for professional digital SLR cameras like the Canon EOS 5D Mark II and the Nikon D700 and D3x. The 16-28 zoom range gives the professional photographer a super-wide angle of view to get close to subject for dramatic effect or to take in entire scenes. Lens type Zoom lens Focal length 16–28 mm Image stab. No Lens mount Canon EF, Nikon F FX Max aperture Min aperture F22 Min focus m Max magnification Weight 950 g lb Length 133 mm See full specifications When I first got access to the Tamron 15-30mm f/ VC lens which we recently reviewed, I got curious about other potential lens options already available with the similar focal length range, build and fast aperture of f/ After a quick search through our lens database, I found the Tokina AT-X 16-28mm f/ Pro FX. This little gem has been available for a while now and although I have heard a lot of good things about it, I never had a chance to actually try it receiving the lens along with a few other lenses like the Tokina AT-X 11-16mm f/ Pro DX-II which I will be also reviewing very soon, I headed off to Death Valley National Park. Although I primarily used the lens with my infrared-converted Nikon D800E, which as I painfully found out later turned out to be a bad choice for IR as explained further down in the review, I was really curious to see how it would do, given its extremely attractive price of $629. At this price, I was expecting the Tokina 16-28mm f/ to be a poor performer, because the price just did not seem to be right for such a fast zoom lens with a “pro” label on it. After using the lens and testing it out in my lab, I realized that I was wrong – it turned out to be a hidden my experience with the Tokina 16-28mm f/ was not as long and thorough as with the Tamron 15-30mm f/ VC or my Nikkor 14-24mm f/ I had plenty of time with the lens to assess its performance and its potential. Still, I apologize ahead of time for not being able to provide a more diverse set of image samples. If I get a hold of this lens again, I will definitely shoot some more and provide them here for our readers to enjoy. So let’s get to it!Tokina 16-28mm f/ OverviewBeing an ultra-wide angle lens, the Tokina 16-28mm f/ is specifically designed for photographing architecture and landscapes. With its constant aperture of f/ throughout the zoom range, the lens is also a great candidate for low-light photography. The Tokina 16-28mm f/ features a rather complex optical design, with 15 elements in 13 groups, 3 of which are of aspherical despite its plastic exterior shell, the lens feels like there is nothing but glass and metal inside, as it weighs 950 grams – almost as heavy as the Nikkor 14-24mm f/ lens. At 90mm x 133mm, it is also not small by any means. The lens comes with a focus motor, so it will operate on all modern Nikon DSLRs, including entry-level models like the Nikon D5500. Being a professional-grade lens, the Tokina 16-28mm f/ should be able to withstand both cold, moisture and dust see more about weather sealing concerns in the “Lens Handling” section of this review.NIKON D5500 + 16-28mm f/ 16mm, ISO 100, 1/3, f/ its wide coverage of 16-28mm, the lens is specifically targeted to be used on full-frame FX cameras. While it also provides pretty good coverage on cropped sensors cameras DX, with an equivalent field of view of approximately 24-42mm, using such a lens on smaller cameras might not be very practical due to weight and size concerns. Unfortunately, just like its Tamron and Nikon counterparts, such a complex wide-angle lens design resulted in a large protruding front element, making it impossible to mount regular screw-on filters. So if you want to use polarizing and GND filters, your only option at this time is to look at third-party filter systems like the FotodioX WonderPana, which does have the right adapters for the Tokina 16-28mm f/ terms of optical performance, as you will see in the Optical Features section of this review, the Tokina 16-28mm f/ delivers excellent results in the center, often surpassing its competition, but needs a bit of stopping down to achieve good corner performance, which is its biggest 16-28mm f/ Specifications Mount Type Nikon F also available for the Canon EF mount Focal Length Range 16-28mm Maximum Aperture f/ Minimum Aperture f/22 Angle of View FX-format – Lens Elements 15 Lens Groups 13 Compatible Formats FX, DX Diaphragm Blades 9 SD Glass Elements 3 Aspherical Elements 3 Autofocus Yes Minimum Focus Distance Focus Mode AF/MF Filter Size N/A Length Diameter Weight Approx. 950 gNIKON D5500 + 16-28mm f/ 28mm, ISO 100, 1/500, f/ specifications for the lens, along with MTF charts and other useful data for the Tokina AT-X 16-28mm f/ Pro FX can be found in our lens HandlingBeing such a big and heavy lens, the Tokina 16-28mm f/ would be quite front-heavy with lightweight DX DSLR cameras, which is why I would only recommend it on heavier FX cameras for proper balance. If you have a DX camera and you want an ultra-wide angle lens, the Tokina 11-16mm f/ DX would be a much more suitable choice. I primarily used the Tokina 16-28mm f/ on my infrared-converted Nikon D800E and my D810, and it handled quite well, similar to how my 14-24mm f/ does. The zoom ring is located at the base of the lens, making it easy to zoom in and out. It is a bit stiff to rotate initially when the lens is brand new, but overtime it does get easier and smoother. At 16mm, the large front element extends out and moves all the way back at around the 24mm to other Tokina lenses, the 16-28mm f/ features a push-pull ring design for switching between autofocus and manual focus operation. In all honesty, that’s one feature I am not a big fan of on Tokina lenses – I really wish Tokina engineers reworked its design and moved AF operation to a switch on the side of the lens, similar to what everyone else is doing. Why? Because it feels a bit clumsy and feels like it will break overtime. Also, when working in the field with the lens mounted on a tripod, one has to apply quite a bit of force to move from AF to MF or vice versa, which might result in messing up the framing. Although it is not an issue on a heavy-duty tripod, I had to move my setup on my lightweight travel tripod a few times, which was a bit annoying. Lastly, the push-pull focus ring is definitely problematic in dusty situations. Taking it out to Mesquite Sand Dunes and photographing during 50 mile per hour winds with sand and dust blowing all over was a big test, which the lens unfortunately did not pass. Sand made its way right under the focus ring and the lens has been making screeching sounds ever since. I tried to clean it up, but I am afraid the lens will have to be disassembled to get rid of the sand in the D800E + 16-28mm f/ 24mm, ISO 200, 1/250, f/ the focus ring is pushed to “AF”, rotating the focusing ring has no effect, so you cannot easily override focus as you can on modern Nikkor lenses. To switch to manual focus, you pull the ring back to “MF” position, which then activates manual focus. Rotating the ring counter clock wise will move focus towards infinity and once the lens is beyond the infinity sign, there is a hard stop – the same goes for close focus. This design reminds me of the older Nikkor lenses with a screw-drive system and it even makes a similar sound. Speaking of which, I guess the definition of “silent” is quite different across brands. Although Tokina markets the lens with a “Silent DC Motor”, it is far from being lens handles just fine in hands. Similar to many other lenses, the barrel is fully made from plastic and the zoom and focus rings have rubber for better resistance. The metal mount seems pretty durable and the lens features a rubber gasket on the mount, so it should help in reducing the chance of dust getting into the camera chamber. The front cap is pretty large and it does a good job at protecting the front element. I like how Tokina designed the cap, because it can actually lock in place and stay there, unlike the cap on the 14-24mm f/ that comes off easily. Tokina also did a good job at protecting the lens in the rear – zooming in or out moves the rear element, but it does not expose the lens interior, so there should not be any concerns with dust and debris getting into the lens D800E + 16-28mm f/ 16mm, ISO 200, 1/125, f/ Speed and AccuracyThe focus speed on the Tokina 16-28mm f/ is pretty average – not as fast as on the Nikkor 14-24mm f/ and not very sluggish either. In all honesty, focus speed is not that important for an ultra-wide angle lens, so it is not a big deal. On the other hand, focusing accuracy is far more important and that’s where the Tokina 16-28mm f/ does not disappoint. I have taken many shots with the lens and there were very few moments when the lens failed to acquire focus on the D800E, D810 or the Nikon D5500. It acquired focus accurately each time and my copy did not need any micro-adjustments in the camera to deliver good results. The good news is, just like Tamron, Tokina also licenses Nikon’s mount and hence should have less AF reliability issues. Principal specifications Lens type Zoom lens Max Format size 35mm FF Focal length 16–28 mm Image stabilization No Lens mount Canon EF, Nikon F FX Aperture Maximum aperture Minimum aperture F22 Aperture ring No Optics Elements 15 Groups 13 Special elements / coatings 3 aspherical elements 3 SD glass elements Focus Minimum focus m Maximum magnification Autofocus Yes Motor type Micromotor Full time manual Unknown Focus method Internal Focus notes One-Touch Focus Clutch mechanism Distance scale Yes DoF scale No Physical Weight 950 g lb Diameter 90 mm Length 133 mm Zoom method Rotary internal Filter notes Filters cannot be attached to this lens Hood supplied Yes Hood product code Built-in Tripod collar No Other Have you spotted an error? Report it... Please use the form below to report the error. Voltar ao topo Descrição do produto Especificações Itens inclusos Garantia Avaliações Código 989567 SKU ATX16-28PROFXNAF Destaques do produto • Não há destaques sobre esse produto. Dúvidas técnicas? Fale com especialista! Lente Tokina AT-X 16-28mm f/ Pro FX para Nikon Descrição do produto Lente Tokina AT-X 16-28mm f / Pro FX para NikonPara o profissional, uma lente 16-28mm f / é quase uma necessidade, e esta nova lente Pro FX AT-X 16-28mm para Nikon da Tokina preenche a conta muito bem. Projetado especificamente para DSLRs de nível profissional da Nikon com um sensor full frame FX como a Nikon D700 e D3x, este zoom super grande angular possui 15 elementos em 13 grupos, usando elementos de vidro de dispersão superesférica e super baixa para reduzir aberração cromática e dar resolução máxima. O motor DC silencioso permite que a lente foque rapidamente e silenciosamente e funciona com um sensor AF magnético GMR para aumentar ainda mais a velocidade AF. Um mecanismo exclusivo de embreagem de foco de um toque permite alternar rapidamente entre foco automático e foco manual, encaixando o anel de foco para frente para AF e de volta para a câmera para foco manual. E é possível comprar essa lente sem antes solicitar uma hipoteca. Lente Profissional 16-28mm F / Projetado para DSLRs Nikon profissionais full frame FX. Motor novo da CC silenciosa com sensor de GMR O 16-28 f / usa um motor DC silencioso recentemente desenvolvido que permite que a lente se foque mais rápido e silenciosamente que as gerações anteriores. O motor DC acoplado a um novo sensor magnético AF GMR trabalha em conjunto para aumentar a velocidade AF. Elementos de vidro de dispersão asférica e super baixa Um novo elemento de vidro esférico de 56 mm de diâmetro, de tamanho grande, é incorporado ao grupo de lentes dianteiras, enquanto há mais dois elementos asféricos no grupo traseiro. Três elementos de vidro de dispersão super baixa do SD também são incorporados em todo o projeto óptico para reduzir a aberração cromática, fornecer resolução máxima, mais brilho e correção de distorção. Embreagem de foco de um toque O Mecanismo de Embreagem de Foco de Um Toque exclusivo da Tokina permite que o fotógrafo alterne entre AF e MF simplesmente pressionando o anel de foco para frente para AF e de volta para a câmera para focar manualmente. Não há um segundo interruptor AF / MF na lente para a Nikon, tudo é realizado pelo anel de foco. Especificações Abertura Máxima da Lente Não informado Características de Lentes Não informado Classificação Fiscal NCM Não informado Comprimento Focal Fixo Não informado Comprimento focal Zoom Não informado Cor do Produto Não informado Disparo Contínuo Não informado Estilo de Lente Não informado Flash Embutido Não informado Formato de Lentes Não informado Formato do Filme Não informado Galeria de imagens Não informado Megapixels Não informado Modelo de Produto Não informado Opções de Kit Não informado Processador de Imagem Não informado Quantidade Vendida Não informado Tamanho do Sensor Não informado Tipo Câmeras Digitais Não informado Tipo de Sensor da Câmera Não informado Tipo de Visor Não informado Tipos de Foco da Lente Não informado Tipos de Tela de LCD Não informado Voltagem Não informado Itens inclusos Não há informações sobre esse produto. Garantia Garantia de 12 meses com o Fabricante. Avaliações

tokina 16 28 nikon